In September of this year I had the opportunity to present a paper on Bodies and Display for the Death and Culture II conference at the University of York in the United Kingdom. I have been researching bodies and museums for the past couple of years, and this was a fantastic opportunity to bring that research to an international audience. While in the UK, I also visited several London and York museums, met with other amazing #DeathStudies scholars, and did some good research for what will be my next book! More on that soon.
According to the DaCNet website, “The Death and Culture Network based at the University of York seeks to explore and understand cultural responses to mortality. It focuses on the impact of death and the dead on culture, and the way in which they have shaped human behaviour, evidenced through thought, action, production and expression. The network is committed to promoting and producing an inter-disciplinary study of mortality supported by evidence and framed by theoretical engagement.” This is a true interdisciplinary work of genius, and a fun group of people to meet and collaborate with for sure.
I can not emphasize enough how much I enjoyed this conference and the other presentations and discussions held formally and informally. I will explore those in my next blog in more detail.
In my presentation I explored the legacy of freakshows and cabinets of curiosities on the current guidelines and ethics of museums in regard to the display of human remains. Topics I am brought up included: ethics, public reactions, and responsibilities of public historians with regards to the display and exhibition of human remains. I also presented on the racial, ableist, and class implications of displaying human remains in natural history, history, and medical museums. I also mentioned cultural patrimony of objects, as well as human remains as museum objects. I posed many questions in my talk about how old do human remains have to be to be considered “objects” and no longer people? How do visitors react to various human remains on display, from mummies, to Victorian hair wreath memorials, to skeletons or cremated remains? Human remains have been a part of exhibitions since the first museums opened in various forms; from the case of Sarah Baartman and nineteenth century freak shows, to modern displays of mummies and medical specimens, the human body has often been a source of emotion, intrigue, and education. Have museums moved beyond the “freakshow,” or are current human remain displays merely an extension of the spectacle of the earliest museum?
I had a blast doing this presentation, and I even managed to finish my talk with 4 seconds to spare. The audience and other panel members were so accepting and helpful, and they brought so many insights to my talk. I can’t wait to be back in York in 2020 for DaCIII!
I accepted a new position as Assistant Professor of History, Public History at Coastal Carolina University in the spring! I’m thrilled to get to continue my work here in South Carolina with Public history, access, human remains, and cultural heritage.
Most recently, I traveled to the UK to do some research on human remains in several museums in London, and then I traveled up to York to present at the Death and Culture Network conference at the University of York. What an amazing conference and group of people to be a part of. I can’t wait to share more with you about the conference, potential projects coming out of it, and the rad people I met. In the meantime, check out the 
This semester I’m working with a research fellow from my college to develop a full-scale Reacting to the Past game based on a mini-game I created last fall about the development of the Native American Graves Protection and Repatriation Act. What an incredible melding of all of my interests – pedagogy, game play, human remains, cultural heritage, and public history – all in one! Happily, my workshop on this topic with the incomparable Dr. Abby Gautreau and Dan Ott has been accepted for NCPH 2019; see you all soon in Hartford!
